![]() ![]() ![]() Whether it was his desire to have mainstream success and believing Cale's production techniques were limiting this or, like Nico, jealousy was a driving force, Reed wanted Cale out of the band. However, in the late 1960s, the band was still on the outside looking in when it came to chart and commercial successĪfter the failure of "White Heat/White Light," the power struggle between Cale and Reed hit its breaking point. Their third album, this one self-titled, would become influential in the early indie rock scene. This and their second album, "White Light/White Heat," would become important in the history of a number of sub-genres in rock, such as experimental rock, punk rock, Gothic rock, noise rock, glam rock, and alternative rock, just to name a few. Pepper" commercially, their album did establish a foundation for a small but passionate following.Īccording to Rate Your Music, Lou Reed's lyrics, sung through him and Nico, were nihilistic and depressing, while John Cale provided a droning and noisy production sound. While the band did not come close to reaching the heights of "Sgt. Pepper Lonely Hearts Club Band." By comparison, an article now in the National Registry said that The Velvet Underground and Nico recorded their album in just four days for only $3,000. Still, the duo clashed with their manager, when Warhol pushed to add another member to the band to become the figurehead.Īccording to Sound on Sound, The Beatles spent six months recording their 1967 classic album, "Sgt. The connection between the worlds of rock music and experimental art became a central feature of the band, especially from Reed and John Cale. Warhol's patronage gave the band a financial safety net and artistic freedom. In January 1966, Warhol invited The Velvet Underground to perform at the annual banquet of the New York Society of Clinical Psychiatry, along with individuals from the Factory, Cleveland reports. One of his most famous song, "Walk on the Wild Side," tells of these individual's backgrounds. Reed became very influenced by the people he met at the warehouse and would write songs about these people. Lou Reed became a common fixture at Warhol's warehouse, The Factory. They were the avant-garde band with commercial aspirations, and he was an avant-garde artist who had commercial appeal. According to the University of Groningen in the Netherlands, Warhol first met the band in December 1965 and became enthralled by them. ![]()
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